神奇女俠2：1984 【WONDER WOMAN 1984】 完整電影（完整版）│ 英語 (中文字幕) (2020)
!!神奇女侠1984：2020-HD 半岛 完整版本 (Wonder Woman 1984 完整版)4K【電影】神力女超人1984 線上看完整版-[Wonder Woman 1984,2020]-完整的电影 HD 電影下載 神奇女侠终于重回大银幕，史蒂夫·特雷弗（Steve Trevor）也是如此。 1984年《神力女超人》的第一部预告片在周日放映，这表明死于原片的《神力女超人》的爱情兴趣已经以某种方式复活了。 1984年，当人们仍然在购物中心购物时，他回到了她的身边。世界上最伟大的超级英雄穿着袖子向上推的超大西装外套。
导演: 派蒂·杰金斯
编剧: 戴夫·卡拉汉姆 / 派蒂·杰金斯 / 乔夫·琼斯
主演: 盖尔·加朵 / 克里斯·派恩 / 克里斯汀·韦格 / 佩德罗·帕斯卡 / 康妮·尼尔森 / 更多…
类型: 动作 / 奇幻 / 冒险
制片国家/地区: 美国 / 韩国 / 西班牙
语言: 英语
上映日期: 2020–12–18(中国大陆) / 2020–12–25(美国)
片长: 151分钟
又名: 神力女超人1984(台) / 神奇女侠2 / Wonder Woman 2 / WW84
神奇女侠1984的剧情简介 · · · · · ·
故事背景设定在五光十色、充满诱惑的80年代，神奇女侠戴安娜在华盛顿的自然历史博物馆过着与普通人无异的生活，然而在阻止了一场看似平常的劫案后，身边的一切都发生了变化。在强大的神力诱惑下，两位全新劲敌悄然出现 — — 与神奇女侠“相爱相杀”的顶级掠食者豹女， 以及掌控着能改变世界力量的麦克斯·洛德，一场惊天大战在所难免。另外一边，旧爱史蒂夫突然“死而复生”，与戴安娜再续前缘，然而浪漫感动之余，史蒂夫的回归也疑窦丛生。
新时代大幕开启，面对两位强大的邪恶反派和神秘归来的史蒂夫，神奇女侠要如何才能再次拯救世界？
来到80年代美苏冷战时期。女侠的黄金战甲变身酷炫，战斗力更强大，真言套索套闪电飞天遁地⚡她死去的恋人史蒂夫·特雷沃也回来了，戴安娜的思念有了结果，但其中有什么玄机……
新反派豹女(SNL的克里斯汀·韦格饰演)、Max Lord(“红毒蛇”佩德罗·帕斯卡饰演)也亮相。Lord这个神秘的有钱人在线作妖，外表良善的豹女并不简单
《神奇女侠》续集计划于2020年6月5日上映。尽管DC Extended Universe（DCEU）的某些部分正在重新启动-Ben Affleck和Henry Cavill分别离开了蝙蝠侠和超人的角色-Gal Gadot的《神奇女侠》曾经这是2017年的大型首映式，并且还在紧锣密鼓地进行中（Jason Momoa的Aquaman也是如此）。《神奇女侠1984》将是继《猛禽：解放后的自杀小队》之后的第二部DC超级英雄电影，明年发行。
实际上，《神奇女侠1984》的拍摄时间是1984年，这是从原始电影到续集的巨大飞跃：第一部神奇女侠电影是在第一次世界大战期间上映的，而神奇女侠还没有完全衰老。
在第一部电影的结尾，我们发现戴安娜（Diana）是宙斯神的女儿，这意味着她是不朽的，至少是不朽的。尽管我们在那部电影中看到了她从小女孩到年轻女子的年龄，但她似乎没有年龄在1910年代与2016年发生的蝙蝠侠诉超人事件之间。所以现在我们发现自己在1980年代，戴安娜（Diana）的样子与1910年和2010年代的样子完全一样。
加尔·加朵（Gal Gadot）将以戴安娜（Diana）的身分重返（神奇女侠）。她面对两个潜在的恶棍。其中一部影片是《麦克斯·洛德（Max Lord）》，由佩德罗·帕斯卡（Pedro Pascal）扮演。但主要的反派人物是克里斯汀·威格（Kristin Wiig）扮演的芭芭拉·密涅瓦（Barbara Minerva），又名猎豹。她没有出现在预告片中很多，但是当她出现时，她似乎是在挥舞喜剧的肌肉（认为是伴娘），而不是在与戴安娜的交流中引导传统的超级邪恶。
据了解，HBO Max是美国电话电报公司（AT&T）5月份在美国推出的在线视频服务。每月收费14.99美元，包括观看电影和电视节目。
“没有人比我们更希望电影重回大银幕。”华纳传媒制片厂和网络集团（WarneMedia Studios and Networks Group）主席兼首席执行官安·萨尔诺夫（Ann Sarnoff）表示，“新内容是戏剧展览的生命线，但我们必须在这一点与现实之间取得平衡，即在2021年期间，美国大多数影院可能会减少容量。”
环球影业今年4月也采取了类似的方式，在网上和影院同时发布了“巨魔世界巡演”。但是，需要用户购买这部电影，因为当时还不能作为订阅包的一部分。今年7月，环球影业通过与AMC影院达成协议，缩短了电影在登陆线上前需要在影院上映的天数。在这项协议之前，影院拥有环球电影90天的独家版权。
美国电影院连锁公司Cinemark周四下午回应了华纳传媒的决定。“鉴于目前的运营环境，我们正在根据电影的情况，决定近期的预定。”公司一位发言人说，目前，华纳兄弟尚未提供2021年电影混合发行模式的任何细节。
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In 2020, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross.
The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets.
Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms.
Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee.
The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue.
An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes.
In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife.
The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history).
Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions.
Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income.
In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney).
Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable.
Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message.
Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following.
